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Concertgebouw Orchestra

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Today
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Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Wed, Jan 22, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Janine Jansen (Violin)
Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter.Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’
Tomorrow
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Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Thu, Jan 23, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Janine Jansen (Violin)
Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter.Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’
January 24, 2025
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Concertgebouw Orchestra Annual Gala with Klaus Mäkelä

Fri, Jan 24, 2025, 20:30
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Janine Jansen (Violin)
The Concertgebouw Orchestra presents its festive Annual Gala concert for loyal audience members, friends, and donors. The Annual Gala starts with a reception at 19.30, and the fashionable after-party goes on until midnight.Dress code: black tie.Guests are welcomed to a reception at 19.30, after which they will be ushered into the Main Hall for a uniquely memorable conducted by our artistic partner and future chief conductor, Klaus Mäkelä. Leading violinist Janine Jansen performs as soloist in Britten’s deeply moving Violin Concerto, the work with which she made her Concertgebouw Orchestra debut twenty years ago.The Concerto is preceded on the programme by the royal funeral march by Britten’s predecessor Purcell. Another well-known English lament from long ago opens Schumann’s deceptively sunny Second Symphony. Like Britten’s music, Schumann’s is also in dialogue with the past. Klaus Mäkelä says, ‘A concert is a journey. The cathedral-like, almost sacred atmosphere of Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’After the concert, you are invited to partake in the tantalising follow-up programmes in the foyers of the Concertgebouw. There will be ample opportunity to mingle with other guests, the conductor, soloists, and choir and orchestra members until midnight.
February 6, 2025
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Riccardo Chailly conducts the Concertgebouw Orchestra in Bruckner's Ninth

Thu, Feb 6, 2025, 20:15
Concertgebouw Orchestra, Riccardo Chailly (Conductor)
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding, and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
February 7, 2025
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Riccardo Chailly conducts Bruckner's Symphony No. 9

Fri, Feb 7, 2025, 20:15
Concertgebouw Orchestra, Riccardo Chailly (Conductor)
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
February 9, 2025
Artistic depiction of the event

Riccardo Chailly conducts Bruckner's Symphony No. 9

Sun, Feb 9, 2025, 14:15
Concertgebouw Orchestra, Riccardo Chailly (Conductor)
Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Ninth Symphony – including the finale, which the latest scholarship has deemed complete.Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.
February 12, 2025
Artistic depiction of the event

Vriendenrepetitie: Concertgebouw Orchestra - A Prokofiev feast with Iván Fischer

Wed, Feb 12, 2025, 09:30
Concertgebouw Orchestra, Iván Fischer (Conductor), Nelson Goerner (Piano)
Only members of Concertvrienden can visit this rehearsal. More information on Concertvrienden.Sergey Prokofiev’s tremendous versatility can be appreciated only when multiple works of his are heard side by side. This concert by the Concertgebouw Orchestra under the direction of honorary guest conductor Iván Fischer is the perfect opportunity.The Overture on Hebrew Themes is friendly, playful and folkloric. By contrast, the Second Piano Concerto features all the shock effects that made Prokofiev famous. The music is like that of a wicked fairy tale, but can also be heard as the missing link between Rachmaninoff and the brutal ‘machine music’ of the 1920s. The work is rarely performed live owing to the extremely difficult piano part. Nelson Goerner is one of few to venture such a performance. Hearing the Argentine pianist in concert is invariably an unforgettable experience.With the ballet Cinderella (based on Perrault’s ‘Cendrillon’), Prokofiev proved himself a worthy successor to Tchaikovsky – and was even heralded as ‘the new waltz king’ by a Russian critic at the time. Performed less frequently than Prokofiev’s earlier ballet Romeo and Juliet, it nevertheless features the same compelling blend of elegance, whimsy and magical orchestral colour. Prokofiev himself claimed it contains some of the best passages he ever composed.
Artistic depiction of the event

Concertgebouw Orchestra: A Prokofiev feast with Iván Fischer

Wed, Feb 12, 2025, 20:15
Concertgebouw Orchestra, Iván Fischer (Conductor), Nelson Goerner (Piano)
Sergey Prokofiev’s tremendous versatility can be appreciated only when multiple works of his are heard side by side. This concert by the Concertgebouw Orchestra under the direction of honorary guest conductor Iván Fischer is the perfect opportunity.The Overture on Hebrew Themes is friendly, playful and folkloric. By contrast, the Second Piano Concerto features all the shock effects that made Prokofiev famous. The music is like that of a wicked fairy tale, but can also be heard as the missing link between Rachmaninoff and the brutal ‘machine music’ of the 1920s. The work is rarely performed live owing to the extremely difficult piano part. Nelson Goerner is one of few to venture such a performance. Hearing the Argentine pianist in concert is invariably an unforgettable experience.With the ballet Cinderella (based on Perrault’s ‘Cendrillon’), Prokofiev proved himself a worthy successor to Tchaikovsky – and was even heralded as ‘the new waltz king’ by a Russian critic at the time. Performed less frequently than Prokofiev’s earlier ballet Romeo and Juliet, it nevertheless features the same compelling blend of elegance, whimsy and magical orchestral colour. Prokofiev himself claimed it contains some of the best passages he ever composed.
February 13, 2025
Artistic depiction of the event

Concertgebouw Orchestra: A Prokofiev feast with Iván Fischer

Thu, Feb 13, 2025, 20:15
Concertgebouw Orchestra, Iván Fischer (Conductor), Nelson Goerner (Piano)
Sergey Prokofiev’s tremendous versatility can be appreciated only when multiple works of his are heard side by side. This concert by the Concertgebouw Orchestra under the direction of honorary guest conductor Iván Fischer is the perfect opportunity.The Overture on Hebrew Themes is friendly, playful and folkloric. By contrast, the Second Piano Concerto features all the shock effects that made Prokofiev famous. The music is like that of a wicked fairy tale, but can also be heard as the missing link between Rachmaninoff and the brutal ‘machine music’ of the 1920s. The work is rarely performed live owing to the extremely difficult piano part. Nelson Goerner is one of few to venture such a performance. Hearing the Argentine pianist in concert is invariably an unforgettable experience.With the ballet Cinderella (based on Perrault’s ‘Cendrillon’), Prokofiev proved himself a worthy successor to Tchaikovsky – and was even heralded as ‘the new waltz king’ by a Russian critic at the time. Performed less frequently than Prokofiev’s earlier ballet Romeo and Juliet, it nevertheless features the same compelling blend of elegance, whimsy and magical orchestral colour. Prokofiev himself claimed it contains some of the best passages he ever composed.
February 15, 2025
Artistic depiction of the event

Concertgebouw Orchestra: A Prokofiev feast with Iván Fischer

Sat, Feb 15, 2025, 20:15
Concertgebouw Orchestra, Iván Fischer (Conductor), Nelson Goerner (Piano)
Sergey Prokofiev’s tremendous versatility can be appreciated only when multiple works of his are heard side by side. This concert by the Concertgebouw Orchestra under the direction of honorary guest conductor Iván Fischer is the perfect opportunity.The Overture on Hebrew Themes is friendly, playful and folkloric. By contrast, the Second Piano Concerto features all the shock effects that made Prokofiev famous. The music is like that of a wicked fairy tale, but can also be heard as the missing link between Rachmaninoff and the brutal ‘machine music’ of the 1920s. The work is rarely performed live owing to the extremely difficult piano part. Nelson Goerner is one of few to venture such a performance. Hearing the Argentine pianist in concert is invariably an unforgettable experience.With the ballet Cinderella (based on Perrault’s ‘Cendrillon’), Prokofiev proved himself a worthy successor to Tchaikovsky – and was even heralded as ‘the new waltz king’ by a Russian critic at the time. Performed less frequently than Prokofiev’s earlier ballet Romeo and Juliet, it nevertheless features the same compelling blend of elegance, whimsy and magical orchestral colour. Prokofiev himself claimed it contains some of the best passages he ever composed.
February 27, 2025
Artistic depiction of the event

Concertgebouworkest & Renée Fleming: Strauss' Vier letzte Lieder

Thu, Feb 27, 2025, 20:15
Concertgebouw Orchestra, Manfred Honeck (Conductor), Renée Fleming (Soprano)
At the end of his long career, Richard Strauss composed the Vier letzte Lieder, a musical embrace in which calm and acceptance prevail. And what better interpreter of such calm after the storm than Renée Fleming, whose warm voice and vocal mastery every listener should be lucky enough to hear live?Over twenty years since his Concertgebouw Orchestra debut, Manfred Honeck has long enjoyed a reputation as one of the world’s leading conductors. In addition to Strauss’s Vier letzte Lieder, the Austrian conductor leads the orchestra in a self-arranged suite of highlights from Puccini’s last opera, Turandot. The music enveloping this cruel tale, sometimes highly lyrical, then exciting and exuberant, is beautifully expressed in an instrumental suite. The concert opens with Franz von Suppé’s Overture 'Dichter und Bauer', and after the interval the orchestra will perform the Scottish composer James MacMillan’s moving Larghetto.
February 28, 2025
Artistic depiction of the event

Concertgebouworkest & Renée Fleming: Strauss' Vier letzte Lieder

Fri, Feb 28, 2025, 20:15
Concertgebouw Orchestra, Manfred Honeck (Conductor), Renée Fleming (Soprano)
At the end of his long career, Richard Strauss composed the Vier letzte Lieder, a musical embrace in which calm and acceptance prevail. And what better interpreter of such calm after the storm than Renée Fleming, whose warm voice and vocal mastery every listener should be lucky enough to hear live?Over twenty years since his Concertgebouw Orchestra debut, Manfred Honeck has long enjoyed a reputation as one of the world’s leading conductors. In addition to Strauss’s Vier letzte Lieder, the Austrian conductor leads the orchestra in a self-arranged suite of highlights from Puccini’s last opera, Turandot. The music enveloping this cruel tale, sometimes highly lyrical, then exciting and exuberant, is beautifully expressed in an instrumental suite. The concert opens with Franz von Suppé’s Overture 'Dichter und Bauer', and after the interval the orchestra will perform the Scottish composer James MacMillan’s moving Larghetto.
March 2, 2025
Artistic depiction of the event

Concertgebouworkest & Renée Fleming: Strauss' Vier letzte Lieder

Sun, Mar 2, 2025, 14:15
Concertgebouw Orchestra, Manfred Honeck (Conductor), Renée Fleming (Soprano)
At the end of his long career, Richard Strauss composed the Vier letzte Lieder, a musical embrace in which calm and acceptance prevail. And what better interpreter of such calm after the storm than Renée Fleming, whose warm voice and vocal mastery every listener should be lucky enough to hear live?Over twenty years since his Concertgebouw Orchestra debut, Manfred Honeck has long enjoyed a reputation as one of the world’s leading conductors. In addition to Strauss’s Vier letzte Lieder, the Austrian conductor leads the orchestra in a self-arranged suite of highlights from Puccini’s last opera, Turandot. The music enveloping this cruel tale, sometimes highly lyrical, then exciting and exuberant, is beautifully expressed in an instrumental suite. The concert opens with Franz von Suppé’s Overture 'Dichter und Bauer', and after the interval the orchestra will perform the Scottish composer James MacMillan’s moving Larghetto.
March 6, 2025
Artistic depiction of the event

Concertgebouw Orchestra: Polyphonic Amsterdam

Thu, Mar 6, 2025, 20:15
Concertgebouw Orchestra, Bas Wiegers (Conductor), Tania Kross (Mezzo-Soprano), Ivan Podyomov (Oboe)
Amsterdam has been harbouring outside influences for 750 years. Amsterdam is a city of many voices, a polyphony that is echoed in its music. In Theo Verbey’s Notturno, a world of music resonates in an Amsterdam stairwell. Tania Kross sings fifty-year-old songs in which the more distressing sides of Amsterdam are not glossed over, while the rich culture of the Antilles resounds in a suite from Randal Corsen’s Katibu di shon, the first ever opera in Papiamentu.Greek-born composer Calliope Tsoupaki has been living and working in Amsterdam for over 35 years and was Composer Laureate of the Netherlands from 2018 to 2021. The memory of her arrival in Amsterdam inspired her newly commissioned work, Another Day, written in response to a poignant, image-rich poem by Anneke Brassinga. Conductor Bas Wiegers concludes this programme of many voices with de exciting music of Silvestre Revualtas evoking the pre-colonial Mexican landscapes and cultures.This concert will be enriched by surtitles and images by Frouke ten Velden.
March 7, 2025
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Concertgebouw Orchestra: Polyphonic Amsterdam

Fri, Mar 7, 2025, 20:15
Concertgebouw Orchestra, Groot Omroepkoor, Bas Wiegers (Conductor), Katrien Baerts (Soprano), Tania Kross (Mezzo-Soprano), Anneke Brassinga (Presentation)
Amsterdam has been harbouring outside influences for 750 years. The more diverse the mix, the stronger the city’s character. Amsterdam is a city of many voices, a polyphony that is echoed in its music. Bas Wiegers leads the Concertgebouw Orchestra, the Netherlands Radio Choir and soloists in a unique programme of many voices. Tania Kross sings songs from several cultures, and evokes the rich culture of the Antilles in arias from Randal Corsen’s Katibu di shon, the first opera in Papiamentu. In addition, the orchestra performs a work by the Surinamese composer Eddy Vervuurt (1928-1988) and three Dutch composers.In Theo Verbey’s Notturno, the whole world resonates in an Amsterdam appartment. In Louis Andriessen’s opera De stad van Dis (The City of Dis), we board the Ship of Fools and enter a hellish city, one of water and fire. Andriessen was an inspiring composition teacher, drawing young composers from all over the world to Keizersgracht in Amsterdam for lessons. Some stayed on to further enrich musical life here, such as the former Composer Laureate of the Netherlands Calliope Tsoupaki, a citizen of Amsterdam since 1988. This programme features her newly commissioned Another Day, based on a poem by Anneke Brassinga.This concert will be enriched by surtitles and images by Frouke ten Velden
March 8, 2025
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Amsterdam: 750 Years

Sat, Mar 8, 2025, 14:15
Concertgebouw Orchestra, Groot Omroepkoor, Bas Wiegers (Conductor), Benjamin Goodson (Choral conductor), Maxim Februari (Voice), Anneke Brassinga (Voice), Katrien Baerts (Soprano), Paul Jussen (Timpani)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
March 12, 2025
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Free Lunchtime Concert: Public Rehearsal Concertgebouw Orchestra

Wed, Mar 12, 2025, 12:30
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor)
For many years now, Lunchtime Concerts have been held in the Main Hall and the Recital Hall. The concerts range from public rehearsals by the Concertgebouworkest, to chamber music performances by young up-and-coming artists.For Lunchtime Concerts you will require a free ticket, which you can buy online. Doors to the concert hall open about 30 minutes before the Lunchtime Concert starts.We offer a broad range of music: the majority of concerts include classical music, but you can sometimes hear more modern repertoire. The concert programme is announced one week in advance on our website. The concerts last thirty minutes and are free of charge. Visitors are advised that these concerts are suitable for children from six years old.
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Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Wed, Mar 12, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 13, 2025
Artistic depiction of the event

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Thu, Mar 13, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 14, 2025
Artistic depiction of the event

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Fri, Mar 14, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
March 15, 2025
Artistic depiction of the event

Concertgebouw Orchestra Essentials: Sibelius

Sat, Mar 15, 2025, 21:00
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Thomas Vanderveken (Presentation)
The Essentials series introduces you to the masterpieces you will be happy to know, performed by the world-famous Concertgebouw Orchestra and complete with a lively introduction by the incomparable Thomas Vanderveken. At Essentials we welcome a new generation of music lovers, and the concerts typically have a pleasant informal atmosphere.Grand, epic, mysterious: Jean Sibelius’ Fifth Symphony is an enigma. ‘It was as if God the Father was throwing pieces of mosaic from the edge of heaven and asking me to figure out what the pattern was,’ wrote Sibelius of composing the symphony, inspired by the vast natural landscapes of Finland. The Fifth is sombre in character, the composer having suffered from deep depression. But the sun gradually broke through, and the music culminates in a radiant and sublime ending.Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.Essentials starts at 9 p.m. with an imaginative introduction to the programme (in Dutch).
March 23, 2025
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Concertgebouw Orchestra Children's Concert: Commander_n00b (6+)

Sun, Mar 23, 2025, 13:00
Concertgebouw Orchestra, Yu Lu (Conductor), Släpstick
Commander_n00b is all about the audience finally knowing more about what’s going on than the performers on stage... Really! The concert is all about five n00bs playing a real-life game from start to finish. But they can’t go it alone – they need help from the audience and from the Concertgebouw Orchestra (_FTW!). The orchestra can direct and shadow the action, react and make decisions, all with the most fantastic music. Minecraft with Mozart, FIFA with Copland, SIMS with Sibelius or Pac-Man with Roukens – each combination is new, but works. That’s how worlds come together, experiences merge, and we all reach the final level together. ->GG and WP!It’s a brand-new fun performance by the Concertgebouw Orchestra and the crazy guys from Släpstick: Commander_n00b is a concert and game all in one.
Artistic depiction of the event

Concertgebouw Orchestra Children's Concert: Commander_n00b (6+)

Sun, Mar 23, 2025, 15:30
Concertgebouw Orchestra, Yu Lu (Conductor), Släpstick
Commander_n00b is all about the audience finally knowing more about what’s going on than the performers on stage... Really! The concert is all about five n00bs playing a real-life game from start to finish. But they can’t go it alone – they need help from the audience and from the Concertgebouw Orchestra (_FTW!). The orchestra can direct and shadow the action, react and make decisions, all with the most fantastic music. Minecraft with Mozart, FIFA with Copland, SIMS with Sibelius or Pac-Man with Roukens – each combination is new, but works. That’s how worlds come together, experiences merge, and we all reach the final level together. ->GG and WP!It’s a brand-new fun performance by the Concertgebouw Orchestra and the crazy guys from Släpstick: Commander_n00b is a concert and game all in one.
March 26, 2025
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Klaus Mäkelä, Julian Rachlin and the Concertgebouw Orchestra

Wed, Mar 26, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Julian Rachlin (Violin)
From the first notes, the Fourth Symphony carries us away into Schumann’s utterly original world of dark romanticism. ‘Robert Schumann is the romantic composer’, says conductor Klaus Mäkelä. ‘His symphonies contain such wonderful moments. It always makes me feel good to play them. His music fills your heart with joy and sadness – the emotions are very pure and honest. Schumann makes me happy; he makes me a better person.’His romantic musical language notwithstanding, Schumann was a great admirer of the early music of Johann Sebastian Bach. The famous Russian composer Sofia Gubaidulina also shows her indebtedness to the Baroque master, as in her much-praised Offertorium.The concert opens with a newly commissioned work by the successful Korean Seung-Won Oh. The final piece of her Spiri trilogy, Spiri III ‘seeks to transform the transient nature of human affection, and expand and enhance it to the next level’, the composer says. ‘Rather than limiting the view of the flower blooming and withering to a local event, we can contextualize this minute event as the beginning of a perpetual cycle that can't be measured or truly experienced by humans.’
March 27, 2025
Artistic depiction of the event

Klaus Mäkelä, Julian Rachlin and the Concertgebouw Orchestra

Thu, Mar 27, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Julian Rachlin (Violin)
From the first notes, the Fourth Symphony carries us away into Schumann’s utterly original world of dark romanticism. ‘Robert Schumann is the romantic composer’, says conductor Klaus Mäkelä. ‘His symphonies contain such wonderful moments. It always makes me feel good to play them. His music fills your heart with joy and sadness – the emotions are very pure and honest. Schumann makes me happy; he makes me a better person.’His romantic musical language notwithstanding, Schumann was a great admirer of the early music of Johann Sebastian Bach. The famous Russian composer Sofia Gubaidulina also shows her indebtedness to the Baroque master, as in her much-praised Offertorium.The concert opens with a newly commissioned work by the successful Korean Seung-Won Oh. The final piece of her Spiri trilogy, Spiri III ‘seeks to transform the transient nature of human affection, and expand and enhance it to the next level’, the composer says. ‘Rather than limiting the view of the flower blooming and withering to a local event, we can contextualize this minute event as the beginning of a perpetual cycle that can't be measured or truly experienced by humans.’
March 28, 2025
Artistic depiction of the event

Klaus Mäkelä, Julian Rachlin and the Concertgebouw Orchestra

Fri, Mar 28, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Julian Rachlin (Violin)
From the first notes, the Fourth Symphony carries us away into Schumann’s utterly original world of dark romanticism. ‘Robert Schumann is the romantic composer’, says conductor Klaus Mäkelä. ‘His symphonies contain such wonderful moments. It always makes me feel good to play them. His music fills your heart with joy and sadness – the emotions are very pure and honest. Schumann makes me happy; he makes me a better person.’His romantic musical language notwithstanding, Schumann was a great admirer of the early music of Johann Sebastian Bach. The famous Russian composer Sofia Gubaidulina also shows her indebtedness to the Baroque master, as in her much-praised Offertorium.The concert opens with a newly commissioned work by the successful Korean Seung-Won Oh. The final piece of her Spiri trilogy, Spiri III ‘seeks to transform the transient nature of human affection, and expand and enhance it to the next level’, the composer says. ‘Rather than limiting the view of the flower blooming and withering to a local event, we can contextualize this minute event as the beginning of a perpetual cycle that can't be measured or truly experienced by humans.’
April 11, 2025
Artistic depiction of the event

Concertgebouw Orchestra: Bach's St Matthew Passion

Fri, Apr 11, 2025, 19:00
Concertgebouw Orchestra, Nederlands Kamerkoor, Nationaal Kinderkoor, Riccardo Minasi (Conductor), Mauro Peter (Evangelist), Aurel Dawidiuk, Cody Quattlebaum (Christus), Jane Archibald (Soprano), Jess Dandy (Alto), Valerio Contaldo (Tenor), Konstantin Krimmel (Bass)
The week before Easter wouldn’t be complete without Bach’s always overwhelming St Matthew Passion, which for decades has been one of the most popular works among classical music lovers in the Netherlands. Bach composed the Passion nearly 300 years ago in such an emotional, compelling way that it leaves few listeners unmoved.The Concertgebouw Orchestra first performed the work in January 1891, and eight years later, the annual Passion tradition was officially established. This year’s Passion performance features Riccardo Minasi, one of the most interesting conductors to rise to fame in recent years, and a specialist in eighteenth-century music. Originally scheduled for 2020, his first appearance with the Concertgebouw Orchestra was postponed owing to the coronavirus pandemic. It’s high time he came to share his vision of Bach’s immortal masterpiece with the Concertgebouw Orchestra.
April 13, 2025
Artistic depiction of the event

Concertgebouw Orchestra: Bach's St Matthew Passion

Sun, Apr 13, 2025, 12:00
Concertgebouw Orchestra, Nederlands Kamerkoor, Nationaal Kinderkoor, Riccardo Minasi (Conductor), Mauro Peter (Evangelist), Aurel Dawidiuk, Cody Quattlebaum (Christus), Jane Archibald (Soprano), Jess Dandy (Alto), Valerio Contaldo (Tenor), Konstantin Krimmel (Bass)
The week before Easter wouldn’t be complete without Bach’s always overwhelming St Matthew Passion, which for decades has been one of the most popular works among classical music lovers in the Netherlands. Bach composed the Passion nearly 300 years ago in such an emotional, compelling way that it leaves few listeners unmoved.The Concertgebouw Orchestra first performed the work in January 1891, and eight years later, the annual Passion tradition was officially established. This year’s Passion performance features Riccardo Minasi, one of the most interesting conductors to rise to fame in recent years, and a specialist in eighteenth-century music. Originally scheduled for 2020, his first appearance with the Concertgebouw Orchestra was postponed owing to the coronavirus pandemic. It’s high time he came to share his vision of Bach’s immortal masterpiece with the Concertgebouw Orchestra.
April 16, 2025
Artistic depiction of the event

Klaus Mäkelä & Concertgebouw Orchestra: Ravel, Bartók & Connesson

Wed, Apr 16, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Emily Beynon (Flute), Ivan Podyomov (Oboe)
Klaus Mäkelä invites listeners to use their ears and eyes. Maurice Ravel, a master of ‘visual’ composition, could depict exotic settings and fairy-tale atmospheres with razor-sharp precision. In the rarely performed orchestral miniature Shéhérazade, we are transported to the world of The Thousand and One Nights. Ravel’s compatriot Guillaume Connesson is a contemporary sound wizard. His works sound almost cinematic, not least because of their highly refined orchestration. In addition to his recent oboe concerto, entitled Les belles heures, with Ivan Podyomov as soloist, the programme features the brand-new flute concerto he composed especially for the Concertgebouw Orchestra and its principal flautist Emily Beynon. It’s the perfect opportunity to discover for yourself why Connesson’s exciting music appeals to such a wide audience.The programme contrasts French sophistication with Hungarian horror by Béla Bartók. In The Miraculous Mandarin, Bartók managed to express in music the more primitive side of modern civilisation. This grim fairy tale sounds just as exciting – and alarming – as it did 100 years ago.
April 17, 2025
Artistic depiction of the event

Klaus Mäkelä & Concertgebouw Orchestra: Ravel, Bartók & Connesson

Thu, Apr 17, 2025, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Emily Beynon (Flute), Ivan Podyomov (Oboe)
Klaus Mäkelä invites listeners to use their ears and eyes. Maurice Ravel, a master of ‘visual’ composition, could depict exotic settings and fairy-tale atmospheres with razor-sharp precision. In the rarely performed orchestral miniature Shéhérazade, we are transported to the world of The Thousand and One Nights. Ravel’s compatriot Guillaume Connesson is a contemporary sound wizard. His works sound almost cinematic, not least because of their highly refined orchestration. In addition to his recent oboe concerto, entitled Les belles heures, with Ivan Podyomov as soloist, the programme features the brand-new flute concerto he composed especially for the Concertgebouw Orchestra and its principal flautist Emily Beynon. It’s the perfect opportunity to discover for yourself why Connesson’s exciting music appeals to such a wide audience.The programme contrasts French sophistication with Hungarian horror by Béla Bartók. In The Miraculous Mandarin, Bartók managed to express in music the more primitive side of modern civilisation. This grim fairy tale sounds just as exciting – and alarming – as it did 100 years ago.